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| The shop! |
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| A sample of the fabrics Miller Upholstering carries |
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| Helen at work |
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| More of Helen's cute space |
Q.How did Girl a Whirl come about? A. Well Holly, let me tell you. The first Girl A Whirl came to be on Yeti Record's first Record Store Day. It just so happened, that my business partner (aka my husband) was out of town. I knew I wanted to do something with pizzaz. I also knew I love girl bands.
Q. When was the first one, what happened at it? RSD, 2011. April 16th. 4 radical instores occured. Girl Germs DJed. We gave away some raffles.... and had a big ole 45' Sale. It was awesome. Q. What can we expect from this Girl A Whirl? More Awesome, this year 5 radical lady bands. Also the unveiling of our new Zine Section. 4. What are you most excited about for Girl A Whirl? I am excited to hear the bands! Something great about having a record store is getting to put together shows. I get to see 5 of my fave bands perform and host a party. I like hosting. In fact every time someone comes to the store, I feel like they are at my house and I want to offer them a martini. Also the Zines. I mean come on. How great are Zines! 5. How do Girl a Whirl and C.L.A.P. fit together? How do they not? Creative Ladies are powerful dudes and dudettes. Also some of the contributors to C.L.A.P. are involved musically. Jen Hughes is Djing and Steph Onasis Nelson plays in Cadette. Cool right? 6. Tell me about Yeti’s new zine collection! So many people have been bringing them in. It is so exciting! From cooking, to music interviews, fashion.. art .. humor. It's so great and it's so local. For more info on Girl A Whirl, check out the event page here and stay tuned for a recap of all the radical happenings that took place! |
In the spirit of playing catch up, here is our second installment of "Dear Sheila," from the Summer 2011 issue of C.L.A.P. Have a burning question you'd like Sheila's advice about? Just email it to: sheila.frankfurt@gmail.com! Dear Sheila, Everytime I pay attention to the news, I feel so depressed, I just want to curl up and die, but I want to stay informed! How can I be aware of what is happening in today's world without it ruining my day? -Lovin' Ted Turner Shoot; well, this is a tough one. What I sense, lurking behind your question, is the burden of trying to meet competing, and inchoate, expectations for yourself and the world. As a thinking woman, it sounds like you feel you have a responsibility to be informed about the world. As a feeling woman, you have a quite a task just keeping yourself sane in a quickly maddening world. Once again, let's take a Socratic approach to your dilemma . . . what are your expectations for yourself? What does it mean to be informed, in this globally connected world? How do you know if you're informed? Sometimes, when we're missing a metric to let us know whether we're on the right path or not, trying to fulfuill personally meaningful expectations can become a Sisyphean struggle. Perhaps, though your handle doesn't reflect this, you feel that major mainstream news organizations are shit and don't reflect reality on the ground (sorry for pissing on T^2). Your sense is, of course, correct->major network and cable news have more in common with fantasy novels than reality most of the time. But where does that leave you? Trapped in a hall of mirrors, in which reality is quickly bifurcated into a senseless nightmare? NO! Here are some alternative news feeds that give relatively unbiased news and current events: Jim Lehrer Newshour, on PBS; the BBC newsfeed tends to cover the whole world, and has an interesting perspective on U.S. events; for politics, Politico.com is a huge clearinghouse of all the Beltway derring-dos without much editorializing. I would suggest that your responsibilty can be fulfilled in a personal, creative, and meaningful manner. What role do you want to have in your world? Do you want to make informed consumer choices, and make an effort to buy local and ethically sourced products? Then keeping informed about current production practices and local business movements would seem to be important. Is a certain region of the world or conflict particularly salient or pressing to you? Focus your attention on news surrounding that area AND focus your activist energies on getting involved in organizations, demonstrations, education, etc that will increase your agency in the world. Truly, what is more depressing than seeing a miserable world and not being able to do anything about it. But, let's remember, CREATIVE LADIES (of all stripes, creeds, genders, ethnicities, and orientations) ARE POWERFUL!!! P.S. Look, I'm a closet Goth too, so I understand the urge to indulge your miserable side by picking scabs, watching Fox News, and listening to old Placebo CDs. There's a time and place for everything. But unless you want to live in your bat-infested basement, leaving only to tie one on at Ground Zero, you'll have to learn when to say when.
| Our theme this time around will be "Our Bodies, Ourselves." Possible topics that could be covered under this theme include: Dress Food and Drink Exercise Safety Reproductive Rights Sexuality The Mind/Body connection Working with our hands Body image While it is encouraged to utilize this theme to inspire your contribution, we aren't limiting pieces to the theme, so if you have a different idea that you want to explore, go for it! Pieces that are related to winter and health are especially encouraged since it is such a difficult time for the majority of us here in Minnesota. If you think you have something you'd want to contribute to this issue, email us at creativeladiesarepowerful@gmail.com! ALSO: we will be offering advertising for lady-friendly/run businesses, organizations and independent creative types in the next issue at low rates. Advertising gets you space in the zine, as well on our blog. SO...if you have an etsy shop, run a business or organization or just want to get what you do out there in a more formal way, let us know. More details about advertising can be found here, under "advertising." Note: we aren't trying to get all corporate here at C.L.A.P. by offering advertising—it's merely a way to help cover the costs of printing, assembling and promoting what we are doing. Plus, it is a good way to help support our own independent, female-run, alternative economy. |
Creative Ladies' Rules for Writing
By Nikki Miller
Writing rule #1: Begin with a quote.
Fie, fie! unknit that threat'ning unkind brow,
And dart not scornful glances from those eyes...
I am ashamed that women are so simple
To offer war where they should kneel for peace;
Or seek for rule, supremacy and sway,
When they are bound to serve, love and obey...
Come, come, you froward and unable worms!
My mind hath been as big as one of yours,
My heart as great, my reason haply more
To bandy word for word and frown for frown;
But now I see our lances are but straws,
Our strength as weak, our weakness past compare,
That seeming to be most which we indeed least are.
- Katherina, former Shrew, delivering her monologue upon being tamed by Petruchio, in the 1590 comedy The Taming of the Shrew.
Writing rule #2: If you are a thoughtful, intelligent woman, 2a. don't ever begin with a quote, especially one written in iambic pentameter (as PRETty AS it SOUNDS when READ aLOUD), and 2b. realize that Katherina is not a real person, but a character dreamt up by a man in 1590. As satire? As portrait of the idealized woman? Who knows Shakespeare's intentions, but whatever they were, that woman stinks; don't be her. Don't be afraid to voice your opinions, however benign or controversial they may be. And get them down in writing for the public to take in, carefully consider, to be moved by, revolt against. Then say some more.
You open yourself for criticism when you're bold enough to share your thoughts in writing or conversation, but it seems the harshest criticisms are reserved for women. Take a little trip down memory lane with me, won't you? (Writing rules #3 and 4: Engage your readers through use of personal narrative. Engage them then by addressing them directly; furthermore titillate their literary sensibilities by launching into second-person narrative.)
You are a twelve-year-old girl. You and your friends are pulled aside one day and sent to a location halfway across town, away from the boys. Your teachers are preparing you for your lives after elementary school. Are they teaching you about menstruation? About the importance of washing while on your period? Instructions like "Don't flush your sanitary napkin down the toilet, don't wear white pants, and DON'T be SCARED you'll SPROUT some HAIR down THERE?"
No; that was all covered the year before, and among a much larger group of girls. So why are you being segregated?
On this day, you're joined by a small contingent of young women - the female students of your school's gifted education program - to be taught two lessons which will stick with you in the decades to follow:
1. You are a smart young woman. As such, you will on occasion be viewed as a threat to men (and to other women).
2. You're just gonna have to deal with that, honey, unless you wanna become someone's humdrum housewife. And that would be such a waste - you did so well on your achievement tests this year!
These were well-intentioned adults. They didn't mean to scare us into submission, scare us into secondary school careers as head-nodding, agreeable cheerleaders, rah-rahing in support of the boys. Rather, they were offering us our first fist raise, our first challenge to buck the system, and a caution of rough waters ahead.
Fast forward eighteen years. Last summer in the Wisconsin Dells, I saw something that made me worry for my hypothetical past self, as well as for myself in a hypothetical future. On a side street, down the block from a tiny wedding chapel, I found myself face-to-face with a horrifying device in a museum dedicated to the history of torture.
This thing - it wasn't the rack, and it wasn't the iron maiden, two contraptions that come to mind when one imagines torture. The thing that took my breath away was an instrument used during medieval times on women who said things considered disagreeable by men. You've done this, of course; if you tend to have strong opinions, as most intelligent people do, you probably don't think twice about sharing them. But learning that history had given us a device designed to shut women up brought on that gurgly, nervous feeling in my bowels.
I soon discovered I wouldn't be introduced to just one anomaly of a torture device; down the hall from contraptions meant to stretch and crush and slice and dice were a whole series of devices intended not to kill their bearers, but to intimidate and humiliate them. These "friendlier" devices were the kinds intended for use on women accused of lesser crimes than witchcraft, adultery, or having been impregnated by the seed of the Devil.
For lesser offenses, such as gossiping, nagging or arguing with one's husband, women were submerged in water repeatedly by a device called the ducking stool. This punishment was popular for those convicted of being a common scold, the name assigned to a woman who was troublesome, angry, who broke the peace by quarreling (a crime only women could commit).
Others were forced to wear the branks or scold's bridle: an iron cage for the head, with a curb-plate, sometimes studded with painful spikes, pressed down upon the tongue to inflict pain or even pierce it if the woman attempted to speak. If two women were found quarreling, they might be placed in a dual shrew's fiddle. Imagine a piece of wood cut in the shape of two violins joined at the fingerboards, with two large holes cut on each side to fit around the bearers' necks, plus four smaller holes for the wrists, binding hands near one's face as if playing a fiddle and forcing the two bickering women to stand face-to-face in this awkward position until they'd settled their differences.
This is how our society, in its former incarnation, punished women who spoke up even on the most benign matters. And while we no longer dunk and bind as punishment, speaking up seems in more modern times not all that much less offensive.
I've been described by male friends, whom I've often engaged in vigorous conversations on topics as critical as "Best ZZ Top album," as being "too opinionated," though it seems they get free rein to pontificate all they want. Women who speak up, who put their intelligent thoughts and opinions on display, are more often described as a loudmouth than an intellectual.
And with good reason; the subjugation of another's voice is one of the most commonly (and easily) used tools of those in power, whether through the extermination of native tongues, lack of attention paid to the perspectives and stories of historically disempowered communities, or spending more time talking about a female candidate's choice of business suits than her political platform.
It's a damnable problem. It's a problem that can be named, that can be contextualized historically, and that continues today (even if not through the literal bridling of a woman's face). It's about oppression so deeply-rooted in our lives still today that even women and men who consider themselves feminists might be ashamed to occasionally find themselves more likely to call a woman than a man a "loudmouthed bitch." You've done that, right? I have. It's icky, but it happens.
And so, for the inaugural issue of C.L.A.P. where we have a collective of women putting forth their ideas, whether in writing or via other media, I say, "Fuck the Patriarchy!" No, that's breaking writing rule #5: don't employ overused or cliche statements. Instead, "Fuck Petruchio!" And now, writing rule #6: write a conclusion that ties up your story neatly, and brings you full-circle to your introduction.
PETRUCHIO: Why, there's a wench! Come on, and kiss me, Kate.
And thus was born one of the worst musicals of all time.
Bad. Nationwide.
nikki.a.miller@gmail.com
Hello C.L.A.P.pers!
It has been a while, but things are back in action! I've been chatting with a great group of women about contributing to our summer issue (if you are interested, or know someone who would like to get involved, please email us at creativeladiesarepowerful@gmail.com !), due out June 21st.
In the meantime, I will be posting a few more articles from our preview issue, including a couple that will be reoccurring features on both the blog and in our print zine. One such feature is our "Dear Sheila" column, in which our resident advice columnist (and phD psychology student Sheila Frankfurt) provides readers answers to their deepest, darkest problems. If you have a question you would like Sheila to explore, please share it with us! Your identity will be confidential, of course, and all you have to do is send your question to creativeladiesarepowerful@gmail.com, with "Dear Sheila" in the subject.
And now, on to Dear Sheila!
Dear Sheila,
I am addicted to True Blood! My fiance isn't and I think it is negatively effecting our relationship. Help!
-Stuck at Merlotte's
Dear Stuck at Merlotte’s,
Oh my god, first I want to say: "I'm sorry." I really feel for you. Being caught between the love of a good man who's missed the boat, and a burning yearning desire to live in an alternate reality that not even Harry Turtledove could have cooked up is, you know, like a roc and a hard place. I've been there before, and it ain't easy. But don't abandon all hope, yet. This triangular relationship (between you, your fiancée, and True Blood) is turgid with possibilities.
Maybe it would help to take a Socratic approach, and ask yourself a few questions about the situation on the ground. . . 1)Is you boyfriend a smaller-statured Brunet with a tendency to possessively drawl your name and glare at the competition. If so, are you yourself on "Team Eric"? Because, just maybe, he's feeling threatened by your devotion to his on-air nemesis. Of course, maybe your boyfriend is a barrel-chested Aryan powerhouse with a tendency to take what he wants, no questions asked. Have you been sharing your dream of opening up a 3.2 dive bar on the crossroads of an abandoned highway? I'm sure you're picking up on my allusions. Sometimes, I think, we have a tendency to fantasize people we can't (and maybe don't want) to have, and living dangerous lives that are out of reach. But, even in the most intimate of relationships, there are some personal desires that aren't shared--perhaps that separation is threatening to your partner. It’s terrifying to realize you can be shut out of a part of your lover's life, a small corner in the recesses of a shared life can remain untouched and alone. 2) Have you considered that he may secretly be in to V.L.A.R.P. (vampire live action role playing), and is considering sharing his double life with you, but is threatened by your devotion to an opposing vampire-centered alternate reality? Perhaps doing some sexy vampire role playing in the boudoir will open up his doors of perception, and you can share in each other's blood-sucking outlets. Alternately, you may need to sacrifice some of your T.B. time, and see if you can both watch another HBO fantasy show together. I hear "Game of Thrones" is going to be good.
I wonder if the perceived threat of fevered fandom to an intimate relationship depends on one’s gender. Is women’s devotion to a silly fantasy show more threatening to the stability of a relationship than men’s? I’m reminded that, historically, women engaged in the solitary, and absorbing, act of reading was seen as a threat (to marital relationships? to domestic stability? It’s not clear).
P.S. The above fix to this sticky situation explicitly discusses the impact of interest-incongruence in only heterosexual couples, in reaction to the relationship described by the writer. However, I think the same situation could play out in queer relationships, because, at the end of the day—feeling distanced and isolated from one’s partner is a malady common to the human condition.
Sheila Frankfurt is a water sign, though she identifies with the wind.
